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  2. Upload Your Compositions for Analysis or Feedback

    1. Works with Few Reviews   (4,952 visits to this link)

      Works with 5 or fewer reviews, within the latest 3 months.

    2. Opt-In Works for Youtube   (2,665 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

      Please make sure your recording is of somewhat decent quality to be considered.

    3. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

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    4. Chamber Music

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    5. Choral, Vocal

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    6. Piano Music, Solo Keyboard

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    7. Incidental Music and Soundtracks

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    8. Jazz, Band, Pop, Rock

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    9. Electronic

      Upload music which makes use of electronic resources

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    10. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Works With Few Reviews

  • Topics

  • Posts

    • Yes, I could tell musescore to only apply dynamics to the staff they're attached to, however, this would mean going back through the whole piece to add dynamics to both staves of the piano xD  But yes, I use only Musescore to write music. Not so familiar with anything else, and the Muse Sound Engine is quite complex as it is. I believe it serves its purpose very well 🙂 Especially since I included the use of Spitfire LABS VST3 sounds on top of muse.  I've also heard a lot about sibelius. How is that program? I understand it's a paid software. Muse provides their notation program for free, with a very solid team of devs on Github who are actively listening daily to the users. My old band director and I still talk time to time. He swears by Sibelius. lol Just wondering if it might be worth it to switch but I'm currently enjoying Musescore well enough... Only caveat I've noticed is larger orchestra scores tend to freeze quite frequently when making edits. How does Sib. respond to that? 
    • Yeah, maybe less parts would've been better, or, more suited for a small chamber ensemble rather than a full strings group. Imo, can't really go wrong with having more voices to work with / emphasize emotion with 🙂 But to each their own! That's the beauty of music.  And Yea, I may start to do that now. I didn't really think much of it with this one, as the staves' names are mostly a given for anyone who's even a little educated on music composition or reading scores.  I also agree with you on the MuseScore functions. However, the video creation function is exclusive to their website, and the score must be uploaded/published to the site first prior to it being able to do that for you. Nevertheless, Muse Group has come a long long way since the day I started using their program, Musescore 2.0, back when I was in high school... Can't believe they're on version 4.5 now, and it's great that there's a very active and alive community of developers on their github who all actively monitor and engage with feedback left on that site. I don't think they've let any issue or suggestion go un-acknowledged even if it's trivial or "stupid" lol  And the icing on the cake, is it's free! Including the pretty dang solid playback engine + MuseSound VSTs they include for free with it. (Personally, for the piano and viola sounds in the piece attached to my OP, I'm using Spitfire LABS Intimate Piano and Fluid Viola playback rather than Muse's sounds, simply because once I got my hands on the Spitfire sounds for those instruments, everything I didn't like about the Muse sound versions was able to disappear with ease. If you listen closely, you'll also be able to hear in the piano part, the sounds of the hammers striking and returning to their resting positions, and you'll also hear the pedal being depressed and released. I thought that was an awesome touch of realism.)
    • So, after one long, sleepless night of nonstop composing, springtime inspiration has blossomed into what I would consider to be potentially one of my best pieces to date. The 2nd subject and its exposition actually were originally part of a totally different, unfinished fugue in F minor, and as such its thematic relevance isn't as prominent as that of the main subject, though significant in certain passages nontheless. Enjoy!   YouTube video link:   
    • This sounds great. It sounds like a piece we would hear at a luxury party. Excellent counterpoint all around in this piece. 
    • I need to figure out how to reduce the crackling in Cubase without lowering the strings volume. I tried adjusting the ASIO but no luck. Update: readjusted the reverb plug-in. It needs more readjusting. 
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