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By PeterthePapercomPoser · Posted
Hello again @ComposaBoi! 3rd movement - I think the strongest parts of this movement are the introduction and the coda which as far as I can tell are made of the same material but orchestrated differently. Your main melody contains lots of cool chromatic neighbor tones that introduce a sense of tension and resolution. I think the way you elongated the introductory melody to serve as the main theme is kind of pedestrian though. Which is a shame as you spend more time on it and we only ever get to hear the "good version" of the melody in the introduction and coda. For my taste, and it might just be me, the main theme is a bit boring starting in measure 14. But I do like the really dramatic string writing in measure 53. The big build up to the F7 add 13 chord in measure 66 and 97 is great. After measure 97 you lead nicely back to the main theme which I previously found boring. But now it sounds more profound and affecting. I guess "repetition legitimizes" as they say. Thanks for sharing! -
By Rafael Avila · Posted
Hello this piece is one that I wrote which was basically a framework to develop the idea of moving away from tonality. By having this piece clearly in a minor, then the next one become more tonally ambiguous but at the end, finish it off in a minor. Here's the midi to the score https://www.noteflight.com/scores/view/6d7c913ce1d371fae8da86c644342048c5f206ae -
By Michael Barrie · Posted
This is the first movement of a piano quintet I'm working on. -
By epianoqueen · Posted
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