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That's quite unsecure, since you don't know if people can abandon, or not have time or just pass... but well I would be pleased to make double if have time. I will work on the prelude tomorrow (now i sleep), i already have the melody and chord progression, so for tomorrow prelude can be ended (if not too complex, maybe if i make it more complex or extensive takes me a few days to make quality). I will surely upload prelude and then Fugue i will take my time.
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J.Santos replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
Oh it's here, I will take G minor, since D and C minor are taken. -
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I have never wrote a complete fugue before but I did write a few canons before delving into how to compose fugues. And you know what has always gotten me into the fugue mindset? Listening to Bach instead of Beethoven(Beethoven tends to be my go to composer and he is my favorite composer but a lot of his fugues are like ingrained into a larger form such as Theme and Variations or Sonata Form. Bach's fugues tend to be standalone pieces or at most paired with another piece like a toccata or a prelude.).
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Simen-N replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
E minor is great! -
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Simen-N replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
a minor -
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caters replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
I'm already working on an A minor prelude in 5/4 time. But I'm not all that good with fugues. Every time I've tried to write a 4 voice fugue, I get parallel octaves and most likely other contrapuntal problems. So I think for my next fugue, I should have 3 voices to help avoid these contrapuntal problems(I could use 2 voices but to me, that makes the piece an invention rather than a fugue(and yes I am referencing Bach's 2 part inventions when I say that)), most importantly parallel octaves, since in 3 voices the octave is not necessary unlike how it is in 4 voices. -
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Welcome!
Mark101 replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
I'd like a minor key if possible, though you can choose which. -
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Welcome!
Monarcheon replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
Is there one you think you'd like? Honestly the key is a bit of a novelty, since the technique is the same. @aMusicComposer I'll take one more, if you'd allow for it, so I don't overload the submissions with my own. I just want to see if I can write a piece in total Baroque style/rules. B major, if possible. -
I would go for Option 1, but I will probably still do the Prelude/Fugue combo no matter what (if that's okay). I don't mean to sound preachy, but I think maybe we could all look on this as a learning experience about writing fugues, or at least counterpoint. I always like to take those opportunities when they come up
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Pietro17 replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
I'll write also a prelude in G major (I said I'll write only a fugue). If there won't be enough members, can I write also a prelude and fugue in f minor? -
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Youngc replied to aMusicComposer's topic in Young Composers Preludes and Fugues Project's Rules and Guidelines
If possible, A prelude in Db Major?!