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This is absolutely brilliant!

Nice. I enjoyed the ethereal quality of the track, though I think in the future you might want to make sure this uploads to the correct forum. We have a Game/Film section where you'll get better feedback, FYI. You should be able to move it there by editing your submission and selecting "Game/Film". IF you need help, PM me and I'll hook that up for you. Thanks for submitting. <_<

I don't know much about this style, but I can say that it sounded pretty convincing. You obviously knew exactly what you were doing, and you were in complete control of the piece. It being canon did not annoy me (which some bad canons do at times). I can only imagine this being played on a real harpsichord, good job.

Yes! I like this very much, great solid writing, not too complicated and very interesing. This would be something I'd love to play myself. The MIDI really does not do justice to your piece. Everything 'fitted' or 'clicked' or whatever the expression is I am trying rape here... it all made sense to me is what I mean. Only thing which did not made COMPLETE sense aurally was the m56-59 part, but only when I compare it to the rest of the piece. And this is very personal, not to say that those measures were bad or incorrect or anything, they just went by without absolutely convincing me of their appropriateness. It did not disturb the overall picture very much though. Thanks for posting

or just 'folk song'

Not only the french know this song :) I think you did a nice job here, keeping things sound very sweet and innocent, but still with enough variation to keep it interesting. I have one remark though, in measure 14 you wrote the second part (3rd and 4th beat) differently from those preceding and following it. I did not like this. Maybe you could change this by 8vb the first C, and 8va the second C. I think that would fit better. As you wrote it now, the high register 3rd (on the 3rd beat: the C in left hand and the E in right hand) really stands out. Too much for my comfort. measure 21 left hand: there are two eight-notes on the last beat, but in the recording (and everywhere else in your piece) there is a quarter-note.