Anything with a finale that could be played loud.
Really, this is impossible to determine, because "loud" is relative, and it depends on the performer(s) interpreting it. For example, the loudest ending I've played was probably the ending of Mvt. III from Gustav Holst's first suite in E-Flat. We played it at least as loud as we'd play the 1812 Overture. However, a different ensemble could very easily have interpreted the dynamics different, and might have played the ending of the Holst softer than the ending of 1812.