Heckel, stfu, seriously.
Bad ideas need to be insulted.
A genre does not have one damn effect on the quality or artistic merit of music. Sure, there's scrafty rock. There's scrafty classical. There's scrafty gamelan. There's scrafty everything.
I am sick and tired of this bizarre divide as if music were something holy and pristine until "something" came and borked it all up.
Not if you're a friggin composer. You can't just dismiss scraggy. That's not how learning or refinement of art and craft work. You HAVE TO be aware of everything. You HAVE TO find merit in everything. Not that it's your favorite; not that it's what you create necessarily; not even that you listen to it outside of an academic context. But you can't just be like "rap? more like crap amirite lololololololol :>" and be a serious, active, listening, growing participant in what you create. It's not that I am well-versed in jack, but it's that I can listen to bounce music and check out the rhythmic interplay; listen to techno and check out the timbres and types of sounds; whatever examples I give are moot, since it should be obvious to any student of music.
Sure, you can't be an expert in everything, or even half of some things; but the patent dismissal of "pop" music is at the very least classist -- insert your favorite -ism for any others, I can at least think of one (oh dem niggaz, dey can't do nuffin rite! fuggin up dat old-tyme muzic with their negroe beats and infectin good white folk to lose thems culture in pop music in lieu of upstanding european compozers; kant evin build a guitar with a soundhole! how doez dat noize cum? an dere so crass -- all dey sing bout is violinse, secs, and hos!). I'm out of line here, for sure, especially as a WASP; but I can't explain the argument against "pop" in general as anything but a class/race thing. Please, convince me otherwise.
Not to mention the absolute meaninglessness of the term "pop." That's been handled before, but I think we all know what's up.
Prove this statement right now. Sophisticated? What the hell does that even mean? Developed? Riiiiiiight. So is, say, classical metal more sophisticated than power metal from the same time, since it's more intentionally less base? City of Glass (and Stan Kenton in general) might make a killer case study.
Absolutely no apologies for the language or any implications. Believe me, most were edited out.