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So how full of yourself do you have to be call some thing you made up "revolutionary" and "groundbreaking" as if it had any real significance at all. And then make an entire forum for it, because people totally care about this random thing and think it is genius. I'll read it. Only to make fun of it.

Congratulations, you have invented counterpoint! I don't see how you can call this your own technique and even say it's "groundbreaking". Move along folks, nothing to see here.

Thanks for sharing. I'll be sure to look at it more in depth, I just noticed it now. I used to take a bunch of different classical pieces and invert the whole thing, a full retrograde invert. Meaning Beethoven-flipping-the-sheet-music-upside-down style, then transpose all the parts to their registers. From there you may need to make a few bass adjustments, but you have all kinds of new upside down music awaiting you, and lots of it is good. I think Beethoven did some of that too, in his symphonies. His 3rd for example, has a number of melodies the same upside down. The rules are different in the parallel universe though :) Some compositions I will work back and forth between both dimensions. Flip the sheet music over, write some more to fit that end. Or invert without flipping. Thy become different shades, constantly weaving things into new colors and possibilities.

I don't think there's anything sad about being able to "simply" listen ... I doubt that an un-educated listener (for lack of a better term) isn't appreciating the "journey, the variation, and development". Just because they don't know what it is, doesn't mean they aren't aware it's happening, even if only on a subconscious level.... :whistling: