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In this thread I invite: a) Any performer who wishes for a specific piece to be written for their instrument to describe the piece they are asking for so that the many composers in here may choose to take up the challenge and compose the piece they are looking for. b) Any composer who is looking for a performer for a certain piece to provide the link to their composition and get in contact with performers of the instruments it calls for to arrange for possible performance. I hope that in this way the right composer and the right performer can be helped to find each other and join together for a fruitful collaboration and perfect partnership. I believe a special thread made for this purpose (such as the present one) can immensely aid in the creation of such collaboration between composer and performer so that both can achieve their aims - the composer getting the pieces he/she composes performed and the performer getting the pieces they wish for composed. The composer and the performer both need each other and cannot fully achieve their aims alone. So collaboration between them for the fullest realization and furtherance of both of their aims is of paramount importance. They need to communicate so that each can learn what the other expects from them and take it into consideration as they go about achieving their respective aims. These respective aims of theirs need not diverge from each other or be mutually exclusive. It is exactly this that such a collaboration between the two will help them realize in the long run. I got this idea after I mentioned in another thread how we composers were at the mercy of performers and an oboe performer here offered to play and record it if I wrote a good piece for oboe. Thus was created the opportunity for collaboration between a composer and a performer. I composed the piece and he liked it. And now I am hoping to hear his performance of it. And so, encouraged by that positive experience, I hope that it can be made possible for many others via this thread inviting very such collaboration between composers and performers.

I, for example, work as a high school teacher. In my country, you cannot survive just by being a composer (especially outside commercial or pop music).

The problem with reading books is applying what you learn, and therein lies the difficulty. I have gotten hold of many books on harmony and counterpoint as well as form. But when I come to composing I don't think in terms of the rules I have learned but in terms of what sounds good and what my inner inspirational voice dictates. The problem is in applying what you read from books. How do you do that? When you are inspired to compose a piece, you cannot stop the process to go and look at books for the rules. And when you are reading the books and learning the rules, you can't force yourself to compose according to them. Maybe you have to do exercises. And maybe you have to somehow learn WHILE composing (maybe by getting feedback) and improving upon your previous work in your next. Regarding avoiding formal training, I don't avoid it because it's hard or boring. Rather, I like to keep composition at the level of an enjoyable hobby and not transform it into work or a job which would make me possibly dread it. Other than that, I also am afraid that formal training would dry up inspiration, originality, and my unique voice and cause me to compose pieces in a boring and academic style.

Wow thanks a lot! :) This piece was mostly inspired by such composers as Ennio Morricone, Bernard Hermann, Hans Zimmer and of course John Williams. I think there's even some Jeremy Soule in there.