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So I'm confused, is the OP wanting to know the techniques that only apply to Baroque style fugues? Or is the OP wanting to know the techniques that apply to more modern fugal styles? Also, where the Baroque fugue is concerned, Simen offers somewhat of a description but it's very watered down and basic - he doesn't even cover the various types of subject statements (which are derived from the exact re-entry and melodic/harmonic contour of the subject itself).

Sounds terrible.