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Showing content with the highest reputation on 11/06/2012 in all areas

  1. Beethoven's Grosse Fugue is the biggest inspiration of Fugue I have (and fugue is my favorite compositional technique^^). This piece has changed my whole conception of fugue! Also, Bach solo violin sonates and partites are among the best influence in writting for solo strings. I wish some day I could write for solo violin with the same property he did, but now in XXI century =D For voice, I'd name Victorias "O magnum mysterium", and for piano solo, many works from Ravel, principally his Le Tombeau de Couperin. Rachmaninoff's prelude in G#m, Op. 32, is a great model for preludes, as well as some from Scriabin. Still about fugue (I'll finish, I swear), I HAVE to mention Cesar Frank's Preludio, chorale and Fugue in Bm. A WONDERFUL work, to which I've never seen any other similar. Briefly, I'd also put in the list Batók and Villa-lobos (mainly due to his fugues).
  2. It'd be nice to have a "versatile composer" category, as a composer who writes in a variety of "styles", I mean, for example: An impressionist sonata, a whole ballet, solo violin pieces in baroque style, classical marchs, fugues in folk themes, electronic music, a secular cantata, etc... This is quite interesting, as many composers stick to a sigle style, with the same "forms". The composer that goes further in many styles, periods, forms, instrumentation... this one would be a strong candidate to this category^^
  3. Coda music, creator of Finale, has made a free iPad app, called SongBook, that can playback Finale music files. So you are in a tough competition. yours can create music, so there is a slight benefit. But as long as I can only use a treble staff with a rather limited range, it would be of no use to me, and not worth $5,99. Internet services like noteflight or scorio offer more than you do, and for free (with paid pro options)
  4. Classical symphonies: Mozart - both g minor symphonies, Beethoven's 3rd Romantic symphonies: Schubert's unfinished, Tchaikovsky's 4th, 5th and 6th, Mahler's 4th, Maadetoja's 2nd Modern symphonies: Prokofiev's 1st, Shostakovich's 1st and 5th, Rautavaara's 3rd, 5th (especially recommended!) and 7th, Duttileux's 1st and 2nd Slovenian symphonies: Skerjanc's 4th and 5th - this one is on youtube, Skerl's 4th Tone poems: R. Strauss - undisputed master Operas: Verdi, Puccini, R. Strauss's Rosenkavalier, Sallinen, Golob, Kozina (Equinox) Piano Concertos: Rachmaninov's 2nd (I dislike the 3rd though), Rautavaara's 1st, Prokofiev's 2nd Violin Concertos: Mendelssohn, Tchaikovsky, Khachaturian, Prokofiev's 1st, Rautavaara Clarinet Concertos: Mozart, Weber, Lindberg Cello Concertos: Dvořak, Shostakovich's 1st, Rautavaara, Kokkonen, Golob String quartets: Beethoven (undisputed master), Grieg, Bartok, Shostakovich, Sallinen's 3rd Piano sonatas: Beethoven, Skrjabin, Prokofiev I would write more, but my daughters are awake, I just don't have time now. ;)
  5. Well, I'm taking my shot, and am pretty sure that I'll take some heat for my answers as well, despite these showing my well-known preferences... Overall favorites: Tchaikovsky, Mahler. Symphonies: Mahler, Beethoven, Tchaikovsky. Operas: Verdi, Puccini, Bizet, Tchaikovsky, Wagner (not a big fan of his, but can't deny his overwhelming influence), Rossini. Ballet: Tchaikovsky, Stravinsky, Ravel, Prokofiev, Khachaturian. Piano (solo) pieces: Chopin, Debussy. Piano (concerti): Rachmaninov, Grieg, Prokofiev, Bartok. Violin & viola pieces: Vivaldi, Beethoven, Mozart, Hindemith. Cello pieces: Saint-Säens, Shostakovich. Piano chamber pieces: Brahms. String quartets: Shostakovich, Beethoven, Mendelssohn, Brahms, Borodin. Tone poems: Tchaikovsky, Richard Strauss. Lieder: Mahler, Schubert, Tchaikovsky. Choral music: Haendel, Mahler, Orff, Gorecki. I might be adding something else, but that's it for now.

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