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Thanks for the nominations! I feel bad because I did not nominate (very busy end of term, paired with painfully slow internet connection) but I shall at least cast my votes. Best of lucks to all the nominees!

Perfect Harmony & Complex chromatics are equal in I.Q. musical stimulus therefore indivisible. The Brain is a lament configuration matrix that destines for oblivion thus trajedy in music so popular & considered an advanced trait of a maestro. Thus a composition of diametric worth or greater intricasy has a greater nootropic(Nootropic=Intelligence enhancing) quotient than lesser rivals. It is wounded psychology that predetermines the overall musical product by a master kompozer thus novices will have difficulty in producing masterworks unless they are born partially an adult otherwise known as a genius. The four main emotions of music & emotionology are happy,sad,fear, & anger which are quadrilateral in modulation each one with a formula to produce music pertinent to each one. Furthermore a novice will begin a journey from simple music & as he or she develops more maturity & endures a greater pain-infliction gradual experience regarding the difficulties in existence in the most extreme form of development the lament configuration thus honors it's name to yearn for the darkend majesties of musical expression but not everyone will travel this far or is worthy to. Archetypal faculties pre-determine the musical aftermath that can be in many forms, for some memories,other vision,dreams,hidden desires,twisted psychologies,depravity,mere keyword determinants, & the list goes on. Music presents itself as a mirror puzzle of the human & non-human brain & the universal consciousness itself thus through it we better understand ourselves since it pre-defines what is music to each of us & also the mirror to non-musical concepts that are converted as a form of musical presentation. Thus the kompozer's music is also a frozen & non-stationary blue-print of his neuro-construct. Even the Double-Helix may have something to do with the discovery of counterpoint. To be neuro-active in music one must experiment with modern music puzzles not just the personal development of official artform diciplines for the output of musical brain power to be at it's highest thus highly nootropic. Even the most simple melodies which can be considered " Super-Harmonies " are in it's most profound level far more complex than they appear to the undeveloped musician.This has been a compendium of some of my music concepts, a culmination of gathered data, brief but coherent. Anyone is invited to add more to the mysteries but i doubt that mine presented here can be effectively counteracted but rather more add-ons to the musical puzzle.