I listened to this amazed at the use of the orchestra, and finally at about page 90ish, I realized there were no woodwinds! WOW! I would have never thought to put a single flute player against/with a full brass, percussion and string section. More importantly, the contrast allowed the flute to be heard at all times.
Again, I am truly inspired by your harmonic vocabulary. You weave melodic and harmonic movements together that defy "tonality", yet retain a strong tonal direction.
It's really a joy to listen to your work.