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Good; I was worried for a bit I would be alone in this

Very very nice. 1. You've been clever using irregular time signatures, and avoiding the "repeated tuplet effect", which is tiring. 2. Charming harmonies, and fresh. The result is impressionistic, perhaps? One question: Is it wrong using here the treble octave up clef? I think that if it affects the whole piece it is clear. If I had written this, I would have omitted the time signatures, even the bars. It's nearly "ametrics". Well, call it sketch, but I think it's a work well defined and done. Greetings!

Really great piece. I love older instrumentation, and I'm always interested in newer works that use them. The music is like a joyful dance that evokes similar feelings as the original sonnet. They both seem to me to be a mostly pleasant consideration of the natural things in the world, including humanity itself, only occasionally and briefly dipping into the darker aspects of time and how it quickly it destroys the things that grow. Great job!

I don't know if these submissions can be commented. I suppose yes... What a great job! Surprisingly, I love it. Usually works with this "antique" sound don't excite me too much. It's not I don' like baroque or classic, or medieval music; it's just that I think it's quite difficult to add something to what was written in those years. However, in this case, the music is so fresh, so "easy" to hear (it's a compliment, I mean this music flows straight from the ears to the heart). It's like an "inner" dance, the tempo is not very fast, but happy. It is also a pleasure to see and study your score. It's so beautiful (well, I find double pleasure when I listen to and see). I notice your great work with the harp, I have no idea about using this wonderful instrument, I suppose the notation is linked to how to use it. Congrats! I always love your music, every new work is surprising.