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Very nice. This definitely sounds more appropriate for the accordion to me. I don't necessarily think there's a problem with using the polyrhythms you use, but I do feel like there could be more of a natural transition between the use of different rhythms, since each section seems to comprise a single rhythmic idea. There ends up being a kind of unnatural suddenness to every change, I think. But in general, a great improvement over your first accordion work.

Thanks. Very helpful, indeed. Yes, I know the shakuhachi. Interesting sound, and perhaps it's what I was looking for. I have developed the second track adding a shakuhachi and it fits! I have also simplified the polyrrhythm in this part, and you were right: is more effective. It was too soon to complicate the things. I don't know what I'll do with this idea but something will be born from it...

Satie was a genius and the first minimalist. Here are Satie's original Gnossiennes where you can hear the modal harmonies that give it its mysteries that I never grow tired of.