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Showing content with the highest reputation on 12/06/2016 in all areas
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No, maybe I was too emphatic about that, but just remember your main job in the modulation is to make it as smooth as possible. There's nothing less smooth than an unresolved dissonance. If it's resolved in a really clever way, generally it's fine, but you don't want to leave one hanging, for sure.1 point
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Good idea with the dissonances, but they just don't resolve correctly, some of them. Mostly the ones that are resolved by leap, which is a no-no if you're trying to stay within the classical bounds. A lot of your modulations are based on altered tones so they should be void of dissonances if possible. Clever line up with the 16th note triplet figure. Bowing markings could have been nice as well, especially with the 16th note triplet figure.1 point