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Showing content with the highest reputation on 01/22/2017 in all areas

  1. Hi ! :) I ended one of my biggest project at the time. I invite You to the world of fable, dance and magic. Hope to a critic/feedback from You <3 My inspiration was the Concept Art/Painting, which i look at it - the history shows me and music comes itself. Enjoy. Soundcloud - S.G. Faustmann - Magic Waltz in the Library Inspiration:
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  2. Quality over quantity, 100%. I don't care if you write a dozen pieces a day, if none of them are worth hearing. Maximize your output, for sure - but maximize it in the places that matter. If you're like me, it might take you three months to write something, but making it beautiful and powerful and meaningful it much more important than the speed in which it gets written. That said, I don't want to negate @Ken320's perspective. Because he's also right. When I say quality over quantity, I'm ignoring the 2 months of rejected 8-measure sketches and garbage that looks like this: rj-process.pdf Yes, write a lot ... write often. But don't be afraid to swiftly reject something and move on. Do keep everything you sweep aside. It'll be useful eventually. For me, the output is only about actual completed works - it might (like it does for me) take a LONG time to find something worth finishing, and it's these gems that are important to unearth.
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  3. 1 Write a lot and write often. It's a numbers game. 2 Be fearless, not overly critical of yourself when fishing for ideas. 3 Store your failures on a computer. It's like money in the bank. When you need something in a hurry, those half cocked ideas can suddenly sprout wings a year later. 4 Try to envision an ending for your piece early in the writing process. This makes everything that goes in between much much easier. 5 Be confident (see 1 and 2)
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  4. this.. was something else man! traveled the time with you! time warrior. what I think makes this piece so good, is the pull you get in this music, and I can't escape, just like our time. PS my whole table was shaking because of the bass in the piece! made the experience even more more empathising! takadimi!
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  5. I -> VII is something you do really well and it's very impressively pulled off. I would suggest that your melody shouldn't always just doing its own thing; some more homophony with it would have been a nice addition to the drama here. The tone of the piece is generally very nice; structured, but still free, which is great, but it could use more changes; the part with staccato strings was a good change, and more could have been done throughout, possibly, not just harmonically. Cheers!
    1 point
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