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Showing content with the highest reputation on 03/29/2017 in all areas

  1. Hello, I thought I would share this song I wrote from the new musical, Jesse James: DEAD OR ALIVE. The show is based on the life of the Western outlaw Jesse James. The music has a rock/Americana style so I thought this might be the best area to post. Thank you for listening! https://soundcloud.com/emlaproductions/ride-on-from-jesse-james-dead
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  2. Hi all, After my secondary school I want to study either Classical Saxophone or Composition. When I am chatting with Composition professors, it seems to me that they prefer composing on paper and then they notate in a notation program. I have tried it several times to compose on paper, but I find it really hard. Not because I don't know what the music will really sound like, but because I make so many notation mistakes. Actually, when writing music on paper, my scores look like Beethoven's (see picture) and I cannot even read in myself. . . My question: ''Do you compose your music first on paper and then in a notation program? Or do you directly notate in a program, such as Sibelius or MuseScore? Why?'' I think the ''Why'' is the most important part of the question. Please let me know your opinions, experiences etc. Kind regards, Maarten
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  3. My handwriting is so bad that it makes a doctor's scrawl legible. If I scored anything by hand it would be a cross between Klingon and Elvish. For the sake of my sanity and world sanity I vow to be a software composer, forever, and always.
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  4. Stravinsky always wrote at the piano. I like to think of digital audio as 21st century piano.
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  5. Nice work, and the kids were definitely little Broadway troopers.
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  6. I sketch themes and important harmonic progressions on paper when I'm away from my notation software (e.g. when stuff comes to me while at work) but 95% of the time, I compose directly into notation software. If it weren't for notation software, there is no way I could compose music, at least of the same quality of what I do now.
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