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Showing content with the highest reputation on 08/29/2017 in all areas

  1. In terms of posting, you're going to alienate a lot of people by posting too much in one post, and you will also alienate people by posting so many small compositions in a row. Space things out and pick what you think needs most information at a time. Like, I don't have time to listen to everything you have here. I'll talk about each of the first songs in the albums and the single. For the Good of All: Cool bassline, and the hemiola and the changes in times are really refreshing. The mixing is kind of weird and laid back for what I assume is a kind of a more intense piece than anything in the funk genre. It's all kind of static. The nonfunctional parts of the song are great and provide awesome contrast. Starting in D minor with constant changes stepwise is also refreshing. It's for this reason the chorus staying in D minor pretty much throughout is a little underwhelming to me personally. The repetition also almost got to me, but generally a nicely executed piece of music. Dreaming of You: The reverb in this one is what kills some of the sound quality, especially with chords that don't match up like E major and C major. The only chordal thing that bothered me here was a I - I progression connecting your phrases, with a slight reference to V in the last eighth note of any given phrase antecedent. Felt like there could have been more of a climactic moment since the buildup up until the middle was really well done, but this too was generally pretty well done. Conspiracy?: The first progression struggles from a major V vs. minor i chord thing, with a G natural in the bass and a G# in the melody. The song was pretty straightforward throughout, besides the changes, but we can just say, the intent outweighs the point there. I'm not sure what was extremely experimental about this one, exactly, but still liked it okay regardless. Good stuff!
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