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The first part is beautifully linked to the idea of the sea, with the vibraphone (or similar), and the harp, etc... there is a change I like, darker sound and an more dense arpegiatted part (which reminds me to the opening of Das Rheingold, also in the water). Lovely piece.

@OliverKovacs I've been thinking about writing for a pitched percussion ensemble for a while. Dorian!!!! Did I just hear my favorite mode??? Oh ok it's not just pitched percussion. It reminds me of... I can't really put my hand on that... ah! ABZU! Ever listened to the ABZU soundtrack? If not... then wonderful, you and Wintory seem to have a close musical point of view about the sea. The trumpet feels a bit unrelated to me, but maybe the sea deserves the whole orchestra, for it have so many colors and styles going on at once? The trumpet still feels a bit out of place for me, but I think you should keep it- it shows that your point of view on the sea is a bit different than others. (Is it right to say others's?) I don't remember whose, but I listened to someone's speech about the overuse of sleigh bells in snow levels. So it's good that you have your own thing, this trumpet, that makes your sea music different. Great piece, I don't see how to improve it, my favorite part is the beginning. Keep making music! Oh you know what, maybe I should upload the thing I'm working on these days. No I think I should wait a bit. You thought about the pitched percussion and the Tpt, Wintory thought of the choir. I wonder how a piece for both choir and pitched perc ensemble would sound. hmmm Also his work is more ambient (because it's a game and the player's ear mustn't have to give attention to the piece for a such a long time), and yours is actually there, much more solid, because it's a standalone. I appreciate both works.