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Showing content with the highest reputation on 09/07/2018 in all areas
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Except for the new thematic material at the end, your use of rhythmic material is good, especially here: where you mixed your A and B. If you want a bass clarinet player to play the piece I'd suggest making it longer. That's a rare instrument (at least here) and I assume that when you find a player he'll expect a longer more developed piece.
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The abrupt change of the harmonic rhythm at the end feels awkward, especially since the other voices drop out. i - iv - V isn't really that much of a music theory hack; it's decently standard, but makes for a great way to add a three chord (12-bar) harmonic structure instead of the typical 4 chord. I'm curious as to what you find "neoclassical" about this necessarily.1 point