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Showing content with the highest reputation on 06/21/2020 in all areas

  1. Hey one of my next projects is a 3 voiced Fugue for two violins. could someone give me a quick rundown on how effective double stopping is in violin writing. EG how easy or difficult it is to move scales in thirds fourth etc Great much appreciated.
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  2. Anything between unison and octaves are safe. Further up the fingerboard you can probably get a 10th. A good player will manage scales in 3rds, fourths, sixths, etc. Don't forget that no double stops are possible where the upper note is below D4, like C# above middle C is played on the G string. Also if one string is open you can get bigger intervals. Edit: Forgot to mention that double stop harmonics are more difficult. Keep them to 4ths 5ths and 6ths, They need 4 fingers on the fingerboard. Have a listen to the 3rd movement of Paganini's Vn Concerto No 1 to find out what can be done but remember, there aren't many Paganinis about!
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  3. nice. I don't know if you wrote for real people, but there are places in the second violin that are impossible to play.
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  4. A very pleasant piece. if I were to make any complaints it would be how it starts to feel very repetitive. but that is if I had to make one. I really enjoyed it. and it makes me want to write for organ as well!! conveys a brilliant arrangement of moods in a very convincing way. gives me Christmas vibes for some reason no idea why.
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  5. Very lyrical. I think it works quite well for the organ. Not bad at all for a high schooler (or even a seasoned composer)!
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  6. Nice and brave piece.
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