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Hello everyone! This is a courante in C major for solo cello. it is supposed to go together with the allemande I composed last month since I am trying to composer a whole suite. It is in [:A:][:B:] binary form and 3/4 time. The first part is 16 measures long and modulates from the tonic, Cmaj, to the dominant Gmaj. Part B is 18 measures long and modulates once: Cmaj --> Dm --> Cmaj. Any feedback, suggestion or comment is appreciated! Hope you enjoy it and thanks for listening!

Fantasia in g minor for strings: Fantasia in g minor originally scored for organ manualiter. I have arranged it for strings (playback is woodwind quartet). The second fugue is a bit longer then in the organ version and some mistakes have been edited. Ms: 1. Fantasia theme Ms: 7. Free counterpoint Ms: 52 First fugue theme. Ms: 91 Second fugue theme. Ms 130 Fantasia theme Ms 138. Free counterpoint. Please tell me what you think.

Hi everyone! Here I post a short prelude (Well I do not know if to call it a prelude as it is rather experimentation). I've started the piece with the idea to write a fugue of a single note melody, but at it only for a short bit as affter I did not whant to continue. The piece is for two pianos (Is not really a piece as It is something I would never like to publish or perform). And basically I tryed to experiment with rythm and with inspiration of some minimalist works. I hope you enjoy. 🙂

Hi everyone, please review the following list of pieces / melodies and select the one you'd most like to use as the shared theme for the Fall 2020 Competition. Please listen to the pieces and review the PDF document before making your decision. Once the winning theme is decided, I will post it along with the competition rules and signups. 1. Florence Price, "My Dream" - https://youtu.be/lLbhy03VgXE?t=3 2. Takashi Yoshimatsu, "Waltz of Rainbow Colored Roses" - https://youtu.be/3qihgGETXwc 3. Alfred Schnittke, "Concerto Grosso No. 1, Waltz" - https://youtu.be/yaaRk0c-780?t=1284 4. Silvestre Revueltas, "Cuauhnáhuac" - https://youtu.be/VrJ2ekT4n-o?t=25 5. Arnold Schönberg, "Notturno" - https://youtu.be/pnAyMl-JXYw?t=4 Musical Notation of Above Melodies: https://www.youngcomposers.com/applications/core/interface/file/attachment.php?id=23825

Hello everyone! This is a Minuet and Trio for Cello that I composed these days while studying the Minuet and Trio form. The Minuet is in F major and the Trio in F minor. Both of them follow the practice form of [:A:][:BA':] with 8 (A) + 16 measures (BA'). I decided to compose a Minuet for the Cello because of my admiration for Bach Cello Suites. I do not play Cello and it is my first composition for it, so any feedback related to playability or idiomatic composition is appreciated! I tried to make sure all the double, triple and quadruple stops were possible to play (I used Piston's Orquestration book and a Cello fingering chart) but, since I have never played the Cello, there might be some mistakes or unidiomatic parts. I also tried to make the Noteperformer midi Cello sound as natural as possible since solo string midi libraries tend to sound too robotic, specially when playing chords. Hope you enjoy it and thank you for listening!

Hello everyone! Recently I started reading Schoenberg's "Fundamentals of Musical Composition" and I decided to write several compositions of the simple forms from the book to try to apply what I learn. The first form was the minuet and this is the first minuet I composed. I composed it in a rather free way (I plan to compose a few stricter shorter minuets next, trying to make them simpler since I keep overcomplicating things when composing). The piece follows the minuet [:A:][:BA':] form with the following tonalities and number of measures: - A: 16 measures in G major - B: 20 measures in D major - A': 17 measures in G major Any feedback is appreciated. Thank you for listening! 🙂

Hello,, Here is a piece, which I wrote several years ago. I think that I posted it before (without score). I have now revised the piece and also include the score. I have added a simlified version of bar 25-26 for the r.h. My piano abilities are only moderate, and I am not able to play the original (better) version. This is something for the accomplished pianist. I am interested to learn what you think about it.