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Showing content with the highest reputation on 10/21/2020 in all areas

  1. Here my new classic rondo in ABACABA' form. A has more a melody and accopaniment texture, while B and C have more counterpoint texture with some rythm and interval interplay violin-cello. Hope you enjoy it. Any comments are more than wellcome.
    4 points
  2. m. 7's Gr+6 and dominant harmony hybrid is a little off to me because of the minor ninth.
    2 points
  3. Really I just did this because I wanted to test out a mixture of different software and see how well they would work together. See for yourself and let me know what you think. I might do a more serious spooky tune, but this kind of style was a better, more strenuous test for what I wanted to do.
    1 point
  4. The reason I didn't make a score is because it is an unrealistically orchestrated song (unless you're an air pump).
    1 point
  5. Interesting 3 + 3 = 6 measure phrases in the beginning. Stoked to hear a more expanded version of this if you plan on working on it some more... Thanks for sharing!
    1 point
  6. Thanks @Left Unexplained! I love how big classical composers can combine naivity and drama in one single piece, and that's what I tried 🙂
    1 point
  7. Hi @PaperComposerThanks for the feedback, I'm happy you like that. Yes, I finished the last bars with a Fugato using the head of the main Theam with some cadences over the dominant to prepare the final cadence. I wan't sure to write it in 3/8 or 3/4. It could be a minuet as you say, but I see the tempo slightly faster, that's why I chose 3/8.
    1 point
  8. I forgot to mention about the choir - the individual singers in a choir can also stagger their breathing so that no two people ever breathe at the same time - they just write their individual breath marks into their parts. And you're welcome!
    1 point
  9. ok in that case I will try to make a score tonight, and thank you!
    1 point
  10. I don't think it's unrealistic - there are pauses between the phrases which should allow for breathing (in the beginning) or they could quickly sneak a breath in between the chords. As for the woodwind scales you have - those could be staggered between two players on a part. Nice job evoking the emotions it was meant for! It took a few listens for me to appreciate the mood you were going for.
    1 point
  11. nice. I like it. there is better soundfonts compatible with musescore, (personally) here is a better reference;
    1 point
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