I stand corrected! So you do indeed have a consistent counter-subject that you pair with the subject. I notice also that you try to use hocket to move the counter-subject only when the subject is at rest which is a great method for creating contrapuntal and rhythmic interest. However the 2nd and 3rd measures of your counter-subject don't do this and I feel like at that point you start to just fill up space. The counter-subject could have taken a short break there and come in later with some fresh statement that could have been more inspired. Anyways - that's my take on that. Thanks for portraying your subjects and counter-subjects for your peers in this way!