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Showing content with the highest reputation on 01/29/2021 in all areas
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No problem, happy to help! For scooping, do you mean pitch bends? Those are pretty doable for just about everyone, but in fast succession or a glissando (like clarinet in Rhapsody in Blue, for example), they don't really work and may not be as defined as you want, depending on the oboist.1 point
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I wrote a new piece between Christmas and New Year. It´s in a new style for me, and I really enjoyed to explore this different "language" . I would be very grateful to learn what you think of it, including your critical remarks. I was influenced by one composer in particular. Can you guess who this was? Best regards1 point
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I'd love to see classes on things that traditional theory books don't cover but that are central to composition: Thematic development Structuring a work Techniques for revising a work Writing for different instruments (above and beyond what you'd get in an orchestration text)1 point