Thanks! I'll admit there's not a lot of development in most places, I intended it to be a rather light piece. All the weight is in the finale, where there's every transformation imaginable: themes are fragmented, inverted diminuted... you name it. I actually use the tresillo quite a lot, it's some sort of borderline "tic" in my music. In this case I used it mostly in the first movement, even though the finale has some allusions to it.
Thank you for listening 🙂