Thanks. Curiously enough, it's someone I wasn't very familiar with, but I've been studying parts of the Pini di Roma since the last 6-ish months.
Thanks Quinn! For orchestral scores, I tend to start with a short score instead of a piano score (i.e. more staves and more detail in general). However, since this was mostly and exercise where the orchestration was an afterthought, it thought it was enough. The orchestral score will eventually have way more counterpoint that the initial sketch, though.
I think the "light music" label here is perfectly fitting, I treat this as a study for a later, larger piece. I'm thinking of how Grieg fleshed out this kind of tunes into large dance forms where the themes are developed in a "classical" manner.
¡Gracias Luis! Pues la verdad es que no he estudiado nada de música y no me gano la vida con ello. Yo no tenía ni idea, pero resulta que Fum Fum Fum no sólo se ha traducido al castellano, sino que también a un montón de idiomas. Vaya sorpresa.
Un abrazo a ti también!
Thank you! These pieces are in a more modest scope now, but I'll rework the first two (at least) into something longer like Dvorák's dances. Check also Grieg's Norwegian Dances, they're even cooler!