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Showing content with the highest reputation on 09/20/2021 in all areas

  1. movement from a piece im making about family life and struggles.
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  2. Sinfonia in e minor for baroque orchestra: My last two movement Sinfonia for baroque orchestra. And with this one i finished my profject of writing six two movement sinfonias. I hope the last one goes out strong. Titled "Inferno" this a dramatic sinfonia in the key of e minor. The other five Sinfonias are posted in chamber music. 1. Sinfonia in C major 2. Sinfonia in A minor 3. Sinfonia in F major 4. Sinfonia in D minor 5. Sinfonia in G major 6. Sinfonia in E minor Plase tell me what you think.
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  3. Wow - this is a good exercise and it's different enough from the original to not be trivial. Even though you use similar themes you change the accompaniment. I think what would also be beneficial for you is to try and compose simple binary or ternary forms with simple melodies that you come up with yourself and then you could expand into sonatina form and eventually sonata form as well (many on this website have taken this route such as @Papageno and @Yuchanbot). By the way - a Neapolitan chord does not function as a tritone substitution in the classical era. It usually appears in first inversion (in the key of C with an F in the bass) and functions as a predominant chord (so more as a more chromatic substitute for the subdominant). Thanks for sharing! The rendition sounds excellent although when I compare it to the Beethoven - the original seems to have more oomph to the dynamics and accents.
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