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Showing content with the highest reputation on 10/12/2021 in all areas

  1. When I heard this I was left wondering if you'd heard the same amusing anecdote about Shostakovich that I'd first heard in my university days. Stalin and Shostakovich obviously had no love for each other, and so as the story goes, Stalin asked Shostakovich to do something impossible in order to give him an excuse to deport him to Siberia - compose a new symphony for a state occasion with a day's notice. Knowing this was impossible, Shostakovich was completely frantic. In desperation, he asked his trusted copyist to run down to the library, find a symphony by an obscure composer no one had ever heard of before, and transcribe it backwards. The faithful copyist obliged. The next day, a smug Shostakovich sat in the audience awaiting the premiere of his "new work." Imagine his horror when the orchestra began playing the opening of Beethoven's 5th symphony... Now, amusing as it is, of course the anecdote falls apart as soon as it mentions Stalin looking for a reason to deport someone. He never needed a reason for anything.
    1 point
  2. He would have gotten away with it too, if it hadn't been for those meddling music-recognizers!!
    1 point
  3. also thank u for such a thoughtful response, feel like I didnt say how much I appreciate it.
    1 point
  4. Well, it's pleasant, easy listening. Nice tame dragons. Dividing it into sections was good because the harmonic rhythm rarely varied from Ia Vb IVb or VIa Va IVa as far as I could hear so 6 minutes + without a break would have been too much. I felt the density of the backing obscured separate instrumental lines that were apparent here and there (not the guitar of course but that wasn't part of the backing. The guitar and piano worked well together in dialogue. Well done.
    1 point
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  6. You should be proud of this. This is really quite pretty. The soloist you wrote for is also quite talented. Usually I am really wary of piano arpeggios because of the marketing MK-ULTRA assault campaign, but here they work nicely with the voice. The main criticism I have isn't a compositional or performance one: its a mixing one. The piano is really difficult to hear. I don't mind the scratchiness at all but the bass cleff is really buried. It gets an 8 / 8
    1 point
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