I thought it was really beautiful, and I appreciated that it’s chill and straightforward. It sounds semi-improvisational to me, which is cool.
Mss. 47 on to the end are interesting. I thought some harmonic choices were really nice (like mss. 55-56), but some felt “forced” (like mss. 49-50). But I would rather hear someone venture out, than stay harmonically static. Another thing is I noticed some unnecessary notes — for example, mss. 28-34 make perfect sense, in terms of how it would play under a pianist’s hands. Even the 10th span on mss. 32-33 are fine, being on the black keys, a simple roll of fingers if the right hand is small. But mss. 40 and especially 41 are written awkwardly, even with a rolled chord. On the 3rd and 4th beat of ms. 40, just move that Ab on your right hand thumb to either an Eb or F (depending on your desired chord), and on ms. 41, simply moving the G in the r.h. thumb up an octave solves the problems.
I think the piece overall is really nice! Thanks for sharing 😃