This was composed as an experimental piece aimed to combine a "musical mode" originating in india called todi (which is basically a scale with a flat 2nd, sharp 4th, and a flat 6) with western counterpoint. Since the scale is really unstable and dissonance, it was impossible to write perfectly consonant counterpoint using the conventional rules. So I decided to make use of the dissonance to compose something which sounds meaningful and expressive to my ears. As always, constructive criticism and feedback is most appreciated! 🙂