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oh I like this idea actually. I'm going to give final amendments to these when I'm done with them all, and this seems like a cool idea. Thanks Henry it's a recent thing for me too, it's nice to have it as a tool when writing. 😄 it would be a cool idea to orchestrate this someday! you guys both seem to find this true. I don't know Prokofiev very well, most of the time when I've tried to listen to his music I give up, but I'll be sure to recheck! yeah it's possible. It didn't seem to bother me much, but I'm always torn when writing 10ths if I should write them as if I were playing or if anyone wanted to try it. I'll give it some more thought when I do final touches on it. Thanks guys for listening, love hearing your input 🙂

This is part of a larger piece, I’ve been working on for awhile, that I just can’t seem to make work within that piece. I was thinking about making it a stand alone work but was uncertain if it works by itself. The basic idea is a fugue structure (I’m sure it violates numerous rules associated with fugues). Any thoughts are welcomed.

Thanks for the kind words Peter, always look forward to hearing your thoughts. 😄

This was fun to listen to! I enjoyed the B section a lot. I would have loved it if it resolved around m. 40, but it is just a matter of preference because it flowed quite nicely to the next section hahaha. Like Henry pointed out, that left hand is insane. But overall very enjoyable. Thank you!

I really love this piece! It reminds me of joe hisaishi's works! I have a few suggestions: - Maybe, piano is not the 'adecuate' instrumentation for this pieces, i feel that a small orchestra would have expressed a lot more, but this is just my opinion. - Chords in RH from b25 to b36 may be a bit unconfortable, and i think that another type of accompaniment (like arpeggios) would have been better, it fits more in the style. - I really love b15-16!! - b41-45 are brilliant! (check prokofiev's piano sonat no.6 and op4 no.4!!) Samuel

For a melody that seems to meander up and down the keyboard you bring much interest and beautiful dissonance and chromaticism to it! I can see why you'd say this was one of your favorites because it's definitely inspired. The rhythms of the piece are particularly notable for always giving the listener an unexpected relief from previous rhythmic material. There are also plenty of beautiful chromatic neighbor tones and appogiaturas. For being a piece deliberately constructed to be easy, it hides lots of craft and beauty in plain sight. Thanks for sharing!

Hey @Thatguy v2.0 Vince guy, I'm sorry I don't review this earlier to let this sink! I originally want to review it when I have enough time since I am afraid I will write trash in a rush, but procrastination have trapped me until now! I always like your quartal harmony. I always have to thank you and @Jean Szulc for introducing quartal harmony to it which literally transform my harmonic vocab, as I write many quartal harmony in my recent pieces! I really feel like in the middle section it's Prokofiev's War Sonatas! I'm sure it's a banger if I doesn't misunderstand the word! This makes the ending very beautiful in a quiet way. I'm thinking of having b.46 in an augmented chord D-F#-Bb-D since I'm playing your 4th prelude. For sure I enjoy this! Thanks for sharing my conVINCEing guy! Henry