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Congratulations again, I just posted a comment on Youtube. I say it again here. For me, your approach to the fugue is to be compared to that of romantic composers for whom this form is above all the echo of a Gothic cathedral, abandoned, no doubt, and which welcomes the steps of a lonely walker. He then sings and mourns his pain, for the old stones covered with ivy and his voice resonates in solitude. No matter the details, no matter the small "Crumples of paper" here and there, (I'm not talking about the boldness that are always good and beautiful), what matters in the end is the human gesture that is behind the form.

Hey, @Henry Ng Tsz Kiu! It's always good to hear from you. It interesting how you've managed to predict what I had had in mind for the piece: I've just finished writing a tenor saxophone solo somewhere around there. I don't suppose that's the same thing as writing a variation for brass, but I'll keep your suggestion in mind. I'm currently scoring that whole sax solo for brass chorale and string accompaniment; I hope you'll let me know if it's worked out at all 😉 I've decided against writing in binary/ternary form, since I hadn't done so in the original solo and hadn't thought it to be particularly necessary in a waltz like this. There's only a month to go and I don't think I really have the time to write a contrasting theme of much substance, but if things turn out differently then I may very well consider it. Again, thank you for your suggestions! I'll be sure to continue to post progress by the next week 👋😊

the video: 【微分音钢琴】存在与荒诞：将15平均律、19平均律和24平均律混在一起能达到怎样的效果？_哔哩哔哩_bilibili this is my new piece aiming at mixing notes in 15TET, 19TET and 24TET into a solo piano in my score, notes with accidental in baby blue are those in 15TET system, in purplish red are those in 19TET system hope you like it and give me some suggestions if you like!