I love this so much! It's so intricate and rich, but also so direct and transparent. I want to listen more and with more attention than I have, but so far I love many things about this... the triplets in the initial parts, but especially the razumowsky memory in the agitato b. 93ff., and perhaps the part I enjoyed the most, from about 170 onwards, reminiscent (I think? haven't listened to it again but...) of the first movement, beautiful cello singing and then progressively getting more agitated, dramatic, losing the serenity of the first movment-ish themel. Thank you, can't wait to listen to it with more time and attention!