Very cool! Is Aaron Copland an inspiration at all? I love the Dvorak New World and Copland Appalachia depictions of the U.S. I've never been to North Dakota, but I've been all over the midwest... I'm sure it's similar in a way 😛 The percussion colors really add a lot to the overall scheme. Cowbells, shakers, stuff that sounds like pans haha... I love it.
I'm guessing each movement will be a certain "color" right? If I were to be critical of the ND piece, it's that it doesn't have any contrast. But I honestly don't think it needs it if I understand your intentions correctly.
The Emma movement through me off haha. I expected romantic and love themes, maybe something akin to a Rach piano concerto. But instead, I heard sadness, longing, lost love, melancholy, hope, despair, and probably some other things lol. A very "mature" work in my eyes, focusing on emotional color and intent versus logic and completeness, yet it didn't suffer from either. This is a nice complementary movement that to me goes along with ND nicely.
You do a great job mixing. Even when the music swells to maximum, I still hear clarity in your voicing instead of muddiness (something I struggle with in orchestra pieces). Whether it's your actual orchestration or mixing technique, I'm unsure which, your music blends well and I think it creates the effects you desire.
This was great. I always hate to hear that what you posted is incomplete, as I can't fully gauge your music as a whole without the other movements, but from what I've heard this is stand-out-from-a-crowd stuff, and I'm excited to hear your finished product.
Well done, thanks for sharing!