Hey! Thank you! I really only tried to mimic Mahler in like 2 of the sections, but yes - I am trying to do something different. I do not think this specific piece has room for jokes. You could interpret the loud chirping as a joke, but it is more meant to be something upsetting that is interrupting the pretty melody.
I am having fun and feel most called with this work to create something romantically-aligned, but in order for it to be done my way it needs to have this extended harmony. It is the only way I feel I can insert "me" into this type of music faithfully. There is so much more emotion I can convey in any given section by throwing in quarter tones or hiding major chords amongst a pile of oobleck. Like, that final build to the messed up major chord being blasted by the bass instruments is one of my favorite things I have composed, and it works because we expect a major chord to sound a certain way. I think it is amazing how something as simple as lowering a pitch by -25 cents in a major chord can make you completely uneasy.
I am definitely actively trying not to be super contemporary in my writing and am working to pay homage to romantic era music. The sweeping lines, bigger focus on counterpoint, and orchestration is really what my push here has been.
I appreciate your words of encouragement. Hopefully I will be able to share a more complete version in a few months!