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Thank you so much for the encouragement, @UncleRed99, I really appreciate it! In my case I always wanted to compose orchestral music and that is still one of the goals in the long term. My problem is always time. Mostly because of my piano skills. Practicing piano takes 70% of my time, which is only a couple hours a day, and I still do not learn as fast as I wanted to. But I invest on it because I feel it will help me compose much faster in the future. I did try orchestrating before. I have several orchestral books but I have no time to study them in an orderly fashion so basically I decided I wanted to orchestrate some of my pieces and read enough of those books for applying it to my pieces. 6 months ago I did my favorite one but it is actually more of a piano concerto than a symphonic orchestra. You can see it here from when I posted it in the forum! My problem is also that I do not compose that often. And I need pieces for trying to orchestrate them but I ran out of pieces hahaha. I pretty much posted here 90% of what I composed so I do not have many stuff and I rarely throw any ideas. Normally if I start something I finish composing something with it and post it. So for being able to orchestrate again I will need to compose some new things 😥. Now I actually have a piece I want to orchestrate, the "Bagatelle No.2" but I really like that piece so I put it aside to do it in the future when I have better skills. I heard nice things about the Spitfire LABS VST before! Do you use them in a DAW or it can be integrated with musescore and you use both sounds (Spitfire and MuseSounds) at the same time? Also, what audio plugins you use in musescore? What I do is using the reverb for all instruments as a group (instead of one reverb for each instrument) and also the ProEQ plugin, basically just setting each instrument to its family (for example, I set all strings instruments to "strings" option in the ProEQ). I feel the ProEQ plugin really make things sound so much more real. Thank you for the advice about labeling the piano grandstaff! I heard that is the best way to practice at first. Just composing at the piano and thinking about the sounds you want to writing it down roughly by main instruments and family, without going straight to notating everything in the orchestral score. Actually, recently I found a transcription of the whole "Lord of the Rings" OST that a fan made, exactly like that, with the piano and the outlines of the instruments and families and I am using it for listening to the score and seeing if I slowly learn something. I will need to try to compose for orchestra in that way myself too!

@JorgeDavid, Don't sell yourself short! You won't know til' ya try! Practice makes perfect. I wasn't ever really privy to writing symphony orchestral music at all, until recently, having been a lowly trumpeter during my music career. I do it for fun now, and I don't play anything, except the Piano, and albeit not very well, well enough to use for composing. It's all about knowing what instrument does what best. Then taking advantage of it. I'm not a master composer by any stretch of the imagination. I sort of just put lipstick on my pigs with Spitfire LABS VST3 playback and Musesounds playback, with some panning, gain +/-, and audio effects plugins with MuseScore 4. Makes the music sound better than it looks, I suppose 🤣 I'm willing to bet you won't disappoint yourself if you were to take a crack at it. It may be daunting, but I'll tell you what I do to start with a piece; Write an outline using only the piano grand staff. Make labels for the instruments that should voice the notes in your outline. Take advantage of the "Voices" function in MS4 to write more than 1 part in a measure