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Showing content with the highest reputation on 03/11/2025 in all areas

  1. Good morning! Nice to see you again. Here is my fourth scarecrow based on a well-known theme (and rehashed hahaà). I indulge in the poncifs of the genre and I hope you will forgive me my retrograde side. But it's very fun as I often said here, on my almost old days, to have a virtual orchestra and a high-flying piano on hand! My teachers, peace to their souls, must certainly turn in their graves, they who swore only by the French avant-garde... By dint of writing these pastiches, they, turning around each time in their tomb, will end up resting on the right side ! The photos were taken during recent walks in the Parisian streets.
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  2. I also really like the pianoteq 8 which is of a completely different nature. We can also get very nice things with it, but it only serves me as a piano test when I want to go fast and not overload the machine (even if Garritan already works well with my Mac without slowing down. It is installed on a Thunderbolt 4 disk and does not cause much latency or cracking. You need a powerful computer, that's for sure. BBCSO pro consumes between 15 and 20 GB of RAM and occupies 1 TB on an SSD.
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  3. I agree--the Garritan CFX is really amazing-- I have the "lite" version. Every bit as good as VSL, if not better!
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  4. Hi @PeterthePapercomPoser! Thank you for your feedback! Are there any tricks to help determine which time signature to use? It wasn't obvious to me when I was notating it. I picked 4/4 because of the way the melody seemed to flow when I play it. Thanks in advance Kaiyun
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  5. Hi @kaiyunmusic! What a wonderful and bright piece this is! And I am glad you're finishing more of your pieces and finding good titles! One thing that I perceive to be different from your score is that the first phrase seems to be in 3/4 rather than 4/4. Kinda like this: Then the rest of the material is in 4/4 from then on. Thanks for sharing!
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  6. First of all, I'm the dog whisperer. It breaks my heart to read the backstory of your piece, but thankfully he at least has a chance because of all your and the teams' work. All variations of canines have my heart, and the words you gave us resonate loudly within me. You could of just "not cared", but there's too much of that in the world, and it makes me happy that you chose to pursue the path of effort in helping this poor creature return to safety in the wild. Now that my eyes are dry (lol), onto the music. I don't know much about choral writing, but I have some thoughts. For one, I'm a little sad to hear midi... haven't you made videos where you're singing all the parts? Perhaps for a future time 😄 I love all the dissonance created by 2nds. Some where treated as suspensions, but others seemed to be used for color. It seemed very impressionable with the content you wrote about. I also really love the lyrics, especially this: "He is everywhere, a scent on snow. He is the unforgiven air. He is the curled leaves. He is everything". I've lived all over the country, and my dad was the man that taught me about the outdoors. I lived in Alaska, and have had many encounters with wolves. It's always surreal, and there's a great deal of respect I have for them, for how they are one with nature and their environment. As dumb as this sounds, I've learned from them too, and your words reflect a great deal of wisdom and admiration for the wild world around you. Your music is always lovely, thank you for sharing
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