I'm so glad that I was given access to this score as it progressed, via DMs. Oh how much it has changed since you presented it to me, and in so little time! There was One point of contention that I had about this that I wasn't able to flesh out to you, when I heard it. And it's not that it's anything incorrect or bad per-say, just something that no matter how many times I listened back to it, it just never sounded right to me.. lol if you'll refer to b.26-27, where you chromatically move the harmony and chord progression down, and in b.27, the last 2 beats are on 1 (A maj.)... Something about the transition between Fdim/G# to (I think this is G#m7/F#?) just feels jarring, to me, and comparing those two chords to the rest of the piece, I feel, personally, that it stands out in a not-so-smooth kind of way.. So, below, I have written out a version that I think would help it, in my opinion, to sound less jarring and more smooth, without changing anything too drastically, and have also attached an MP3 for sound reference. (for the ease of comparison, this moment happens at about 1:28 in the original audio above). Untitled score.mp3 In my example, I've, instead of going to the chord you'd written, I just pivoted Fdim/G# > G#dim > A Maj > E Maj G#dim being the only change applied, here, along with a change in the viola's harmony. Overall though, I LOVE this score, and what story that you were telling with this one. It really hit me in the chesticle, in a great and relatable way. Had me over here reminiscing over things in my past, and longing for what I no longer possess.. Which, while that's saddening to me, it's what the essence of this whole music thing is about... creating art that is able to illicit that in someone is just an amazing thing, don't you think? -Unc