Leaderboard

Here is another banger:

Hey Markus, I really enjoyed this. The rhythms, tempo and beat all worked together to give it a definite dance feel. There were moments I was reminded of Sylvius Weiss. And I could hear that baroque-to-classical styles. Still, it is very coherent. It certainly has drive and direction. Really tight composing, I'd say. It's a prelude....will there be more? A whole suite? BRS

라임이 곡 문주원 시 고난주간을 위한 신성가곡1 골고다 가득 사람들 외치네 우리가 청하오니 유대인의 왕이여 지금 무릎꿇고 경배하오니 이제 스스로를 구원해보라 저 가시관 보다 거치른 내 죄에 찢기시고 모든걸 내어주신 그 사랑 모든 조롱 모든 아픔을 견디고 십자가의 골고다 걸으신 예수 구주 예수 여호와 이레 어린양 예수 대속하신 구주 골고다 가득 사람들 외치네 우리가 청하오니 유대인의 왕이여 지금 무릎꿇고 경배하오니 이제 스스로를 구원해보라 저 가시관 보다 거치른 내 죄에 찢기시고 모든걸 내어주신 그 사랑 모든 조롱 모든 아픔을 견디고 십자가의 골고다 걸으신 예수 아버지 어찌하여 나를 버리시나이까 내 아버지. 여호와 이레 어린양 예수 대속하신 구주 여호와 이레 어린양 예수 부활의 영광, 보라 예수. Sacred Song1 Lamb of Jehovah Words by Moon Ju-won Sacred Art Song I for Holy Week People cry out across Golgotha, “We beseech You, King of the Jews, Now we kneel down and worship You, Now save Yourself.” For my sin, rougher than that crown of thorns, You were torn and gave everything, in love. Bearing every mockery, bearing every pain, You walked the road to Golgotha, to the cross, Jesus. Savior Jesus, Jehovah Jireh, Lamb of God, Jesus, Our Redeemer and Savior. People cry out across Golgotha, “We beseech You, King of the Jews, Now we kneel down and worship You, Now save Yourself.” For my sin, rougher than that crown of thorns, You were torn and gave everything, in love. Bearing every mockery, bearing every pain, You walked the road to Golgotha, to the cross, Jesus. “My Father, why have You forsaken Me?” My Father. Jehovah Jireh, Lamb of God, Jesus, Our Redeemer and Savior. Jehovah Jireh, Lamb of God, Jesus, Behold Jesus, the glory of the Resurrection.

A delightful work with rich harmonies and lush strings. The vocals are sometimes a little buried in the mix, and hard to make out. It sounds like you're using quite a strong reverb: so it might be an idea to reduce the wetness level. Good work though. I am interested to know what the graphic means? Looks like a rabbit being consumed by a plastic apple.

Here's another musical quote from "The Occult" by Colin Wilson: Here's hoping that you have glimpses of other times and places that may help you in your life! Thanks for reading!

Hello @Fruit hunter ! I wish, I could press both buttons, „Thank you“ and „Ha, ha“, but since that is not possible, I did a simple „Like“. And even though the “fruit hunter award of excellence” will not really appear in my collection of badges, I’ll collect it in my mind! Thank you, very much. It’s nice to hear, that you don’t find the use of the muted trumpet as „too annoying“. And yes, this time, I tried to blend the instruments together (as it is done in a full orchestra) as far as possible and not only to simple distribute the four-part voice leading of the original piano work to the instruments. Unfortunately, I have no practical experience how fast a cellist can change from bowing to pizzicato. I hope that it is possible in the relatively slow tempo. I remember discussions on that topic on even faster tempo, where finally came around that nowadays string players would be able to do so, even in relative fast tempo. And, by the way – ha, ha – I remember that you’ve earned similar concerns with your mallet changes in your „On Pastel Skies“ submission ... Yes, always after finishing one of my piano pieces, I try out the fingering (and test the playability). Perhaps my fingering instructions are somewhat exaggerated, but it is not as easy even in passages one might find simple at the first glance, so that I often struggle which fingering marks are redundant and obvious. Another fun was for me to learn about the notation for the Accordion, applying registration hints and the notation for the bass.