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Kevin Kihlander

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About Kevin Kihlander

  • Birthday 09/28/1991

Contact Methods

  • Skype
    ceresz1

Profile Information

  • Biography
    I've been writing music for a few years now, mainly pop/rock and metal (I still enjoy writing the former, but I rarely write metal anymore), but it wasn't until quite recently that I started to study music theory and composition seriously.

    At the moment I'm completely self-taught but I hope to study composition at the Royal College of Music in Stockholm in the near future. In the meantime I will do my best to learn by reading and composing as much as I can.
  • Gender
    Male
  • Location
    Stockholm, Sweden
  • Interests
    Writing, drawing, painting, inguistics, conlanging
  • Favorite Composers
    Beethoven, Schubert, Tchaikovsky, Dvořák, Liszt, Sibelius, Alfvén, Grieg, Nielsen, Chopin, Satie, Debussy, Ravel, Takemitsu
  • Notation Software/Sequencers
    Pen & paper, My mind, Sibelius 7, Ableton Live 8
  • Instruments Played
    Guitar, piano, bass, drums

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  1. I have decided to take the plunge and thoroughly start reading Schoenberg's book on counterpoint.

    1. Show previous comments  5 more
    2. Austenite

      Austenite

      Not me. To clarify: I'm no fan of Schoenberg as a composer, but you can learn a lot from him as a theorist (and, for that matter, even as a composer).

    3. jrcramer

      jrcramer

      lol, ok, the same applies for me as well. read really useful books, but nt too fond of his music. I prefer Berg, as is commonly known by now :)

    4. Kvothe

      Kvothe

      Yes his theories on music are splendid; nonetheless, one has to be appreciate atonal music to like his music.

  2. Sketching a few ideas. They're not the best, but I've gotta start composing more if I want to improve.

  3. Sketching a few ideas. They're not the best, but I've gotta start composing more if I want to improve.

  4. I work with pen(cil) and paper from time to time, especially when jotting down new ideas. I like the fact that it feels like you're actually working on something, and for some reason I feel a sense of freedom when working this way. Maybe it's because I'm not tempted to push the play button all the time? I really don't know, but there's definitely a special charm to it. I might start by sketching a few ideas down on paper and then organizing and polishing them in Sibelius, but sometimes I never leave Sibelius, especially if I've been struck by a massive amount of inspiration while being seated in front of the computer. It's definitely not for everyone, but I would recommend giving it a try to anyone who's never done it before. In the end I guess it all comes down to personal preference. I have never orchestrated anything with pen and paper (I'm not really an experienced orchestrator anyway), but maybe I'll try that someday. I am by no means an experienced composer, so I guess I don't really have a routine yet. Changing methods is a good way to get out of a writer's block though. If I compose something while using an instrument that I'm familiar with I tend to be more set in my routines than when composing with an instrument that I'm not all too familiar with. Another idea could be to compose in a key you're not used to and then transposing it to another key later in the process. Anyway, I'm getting sidetracked here... What I'm trying to say is that I use pen and paper from time to time and I thoroughly enjoy it.
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