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Phoenix

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About Phoenix

  • Birthday 05/19/1992

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  • Website URL
    https://soundcloud.com/phoenix-glendinning

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  • Gender
    Male
  • Location
    Portland, OR

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  1. Nice, I've been there a couple of a times... it's a cool place :( Anyways, I agree with what's all been said. Simplify it and don't have too much going on. I look forward to hearing more. :)
  2. Phoenix

    Io

    I would say divide the tracks because you could think of them as like "bookmarks" of the whole song, so on the first listen the listener could listen to it all the way through; but let's say the listener really likes a section; later on he could just go to the appropriate track. This way you could have the "best of both worlds." Anyways that's just my 2 cents.
  3. I enjoyed this piece a lot. It kind of went on a little too long for my tastes but it was still good stuff. A suggestion would be to import everything into a DAW (if you have one) and maybe record you playing the guitar part and mix it and see how it sounds. Anyways, good job and I look forward to hearing more.
  4. I found this thoroughly entertaining. Nice. The ending was kind of sudden though.
  5. Phoenix

    Moon Crush

    just out of cusriosity, did you sample the bass? and if so what did you use to sample it?
  6. That piece was really cool. I agree with basically everything else that has been said already... I also think it would be cool to have a whole orchestra come in and deveop it from there. Anyways, great job, and good luck.
  7. Phoenix

    Moon Crush

    Yeah, I totally agree... people who post orchestral stuff get lots of responses while people who post equally interesting stuff in avant garde/electronic get just some responses by the same people.
  8. That was very cool; it was a great representation of picasso's work. There was some good contast too, with the non-cubism stuff. Good job. Anyways, what sound library did you use?
  9. Phoenix

    Moon Crush

    hey that was pretty cool... I liked the atmosphere of it. Nice and layed back. Just wondering, what did you use to make it? like what synth plugins etc. Anyways nice, I look forward to hearing more:thumbsup:
  10. wow, that's impressive.... anyways one more question. Isn't platinum pro a VST plugin? So did you just sample it with kontakt and use kontakt as the RTAS plugin? Thanks in advance:)
  11. 1. Drum Set, 4 years, very good. Percussion, 4 years, same as drum set. Mallet percussion, 1 year, I'm ok. Guitar, 2 years, pretty sucky. Keyboards/piano, couple of months, very sucky. 2. What do you compose? I compose mostly everything. Classical music, progressive/experimental metal, electronica, ambient music, percussion ensemble stuff, and hopefully jazz and drum corps soon. 3. If you compose instrumentals what type(s) do you compose? mostly just orchestral but hopefully others soon. 4. What genre of music are your most interested in composing. Too hard to say. Probably prog metal. 5. What, if any, are your favorite musical instruments or combinations of instruments? guitar, guitar, drums, bass, + orchestra + ambience + massive synths + layered sounds. (All together). When it comes to classical music I would say the strings.
  12. Yeah I agree with Tumababa. The timpanist could definately do it but I think that repetition would not only get boring for the timpani player but for the audience as well. My advice would be to a) have variation and not have the timpani go the whole time, and b) if you want to have the timpani go on for a long time maybe make the part a little less repetitive. But, that is just opinion. Good luck. By the way a score would help.
  13. ah I see, that sucks. Well, I hope you upgrade soon; this piece would sound even better with some percussion.
  14. Allright, thanks :)
  15. Phoenix

    Io

    yeah, no problem! I'm really looking forward to Europa:cool:
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