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Prelude No.16 - Live Performance by Henry Ng
Thanks for listening luderart, glad you enjoyed it :) Hey Kvothe, thanks for listening! Regarding your point #1, yeah you're correct, it was more for playback. @Henry Ng Tsz Kiu was kind enough to record it, I could just write con pedale or something now 🙂
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Prelude No.16 - Live Performance by Henry Ng
Hey there Weiland! Thanks for checking this out, it always means a lot to hear great feedback. ❤️ Thank you, friend. I'm acutely aware of the style of each of these preludes, as I'm constantly thinking about the overall feel with each one, wanting them to possess their own unique character. One of my weaknesses as a composer has been counterpoint, or at least using it in the foreground versus just thinking about it with melody and harmony. I've posted the previous preludes on the forum (check the topics tab in my profile, I'm lucky enough to have @Henry Ng Tsz Kiu give his interpretations), and a style they lack was one that focused on a more contrapuntal foundation. Personal challenge accepted. 😄 I'll also say that it makes me bashful to hear you enjoyed the counterpoint, as your talent with it is drenched in the music I've heard of yours. I wrote the first twelve a few years ago, with the intention of having each one focused on a different tonal center. The scales and approaches used varied a ton, at least that was the intention. There's blues, Chopinesque ones, soliloquys, video game character adaptations, etc. These next twelve started differently. I'm varying the tone centers, but maybe I repeat some here and there. Not sure yet, but the restriction this time is I'm limited to the 61 keys on the keyboard I'm using to brainstorm and workout things. Thanks for listening and sharing your thoughts, it means a lot!
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Prelude No.16 - Live Performance by Henry Ng
Hello there! Here is the latest installment of preludes, no.16. This one deals with a lot of two voice counterpoint and a relentless ramble on one theme. As a personal side note, these have been a lot of fun to write, and it's been great simultaneously writing a bunch at once. I had a sporadic burst of ideas when I started this one, and it lead to a lot of spread out writing. I guess what I'm SAYIN' is... more to come! :D Thanks for listening and reading... any comments of any kind are welcome! P.S. some of those tempo markings are to mimic rubato, dunno I suck as an editor Edit: 🔥 @Henry Ng Tsz Kiu 🔥 Prelude No 16 - Score.pdf Henry Prelude no.16.mp3
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Thatguy v2.0 started following Prelude No.16 - Live Performance by Henry Ng
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Nocturne No. 2
Hey Tristian, very cool music! I always like to hear this! I think this is something that will always carry your curiosity with music, at least it does for me. You went with your gut and inner ear, and although you may not exactly know what you're doing, you hear it as correct and satisfying. Those are the moments where I would look at my own music and analyze it, always trying to figure out why I liked a particular thing I did when I didn't fully understand it.
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ACO Shameless Self Promotion & Thanks To YC
Very proud of you my guy, keep us all updated!
- Landscapes - Soundscapes - Spring 2026 Composition Competition
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Persichetti Exercise 2 - 57 for Piano
I got "way-too-drunk ragtime" vibes haha, this is great! I think the constant accel and rit added to that flavor as well. Nice work there Peter
- Spring 2026 Competition Poll
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Wieland Handke started following Thatguy v2.0
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Fugue XIII in G flat/F sharp major for 4 voices (Part 2 of 2)
A+ for presentation, something I lack around here. I love how detailed your score was, and that you posted multiple versions to appease any taste in reading along. I preferred the color coding, as I'll admit I got lost in the thick of dissonance trying to find synergy with the theme, but your score made it very clear and more enjoyable for me. I was really intrigued by the chromaticism and dissonance. It sounded too harsh at times, but the more I listened I got used to the language and texture and it flowed really well for me. Forgive my ignorance, but I've never really been into fugues. I don't know/forget all the intricacies involved, but your ledger of HOW you wrote it was very helpful and dare I say educational for me. The amount of effort you put into detailing your music was enlightening as well as lovely to hear. Thanks for posting this, as well as being involved in the forum! I can't speak for everyone, but the music I post here is barely heard by the people around me, and a community that is aligned with my passion AND that I get to help grow has a special place in my heart. It's people like you that help keep YC alive 🙂 Cheers friend, well done
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Award Request Thread
Just playing around 🙂 Glad there's interest in the badges, I forget about them 😄
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Prelude in C# minor
yeah, but once you confer with the pianist you'll be able to make necessary edits if need be. It does seem pretty difficult, but I'm curious how it turns out 🙂
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Taking Control of my Creative Process
I like the idea of logging your progress, it'll help you and probably teach others. Welcome back!
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Prelude in C# minor
Wow this is great! And you're getting a performance? Very happy for you, you should update this with the audio once you get it! I've made edits to my music posts too, and I think it's easiest to add the revised audio to your original post, or just remove the old one and replace with the new. That way when people click on your music they're greeted with the version you want them to hear 🙂 Great stuff, looking forward to hearing more from you
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Persichetti Exercise 2 - 56 for Clarinet Duo
Dude these are hard to keep up with lol... but I guess I've been busy and haven't been on here as much... sorry! Listening... Ok cool! I'm almost finished with a counterpoint in two voice piano type of piece, so this is right up my alley. The language is different, but the upper part kinda looks familiar lol. I really wonder if it would have sounded better having the intervals closer together, but with them far apart it was like an eerie bi-tonal carnival ride to me or something 😄Were you mainly thinking of the consonance of intervals? It was dissonant but smooth. I know it was just an exercise and you had a prompt, but what about texture change? I'd love to hear staccato bass or something, even if just a segue in the middle. Cool piece! Have any of these exercises given you grander ideas for the themes you've used? What do you feel you've gained so far in these compositional studies? Hopefully your next major work has even more craftsmanship from your work. Well done!
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Award Request Thread
Some badges must me earned. Some are given freely, but there is one badge that rules them all. Legend holds that a mysterious "better than thatguy" badge is given only to a chosen few. You must search through the members profiles and sift through their badges to gain further knowledge. I wish you well in your quest.