Debreved

There is no way Brad or anyone would have meant triple stop, it is impossible to sustain them all at same time. In film scores orchestrators often just write the sounding notes and the players sort it out, much easier when it is a cluster. Some people use the word 'div' but it is always assumed that it is always div, and if you put a double stop there is a 90% chance they will divide it anyway. In my scores I never mark a two-way div. I mark a 3-way. Not because I am ever worried they will play a triple stop, but I want to give them a heads up as a 3-way needs to be worked out, where as a two-way does not. Tim

Some excellent advice already. To add to it, here is an article I put together about conductors scores. Mainly for recording sessions, but many of these apply to concert music. http://www.timusic.net/notation/how-to-score/ Tim

I like Kemans way. It is simple and to the point. Robin's way works but is time consuming. http://www.timusic.net/notation/a-trilling-experience/

Hi Fair use would not cover any public posting. An example of fair use would be creating this as a school assignment then playing it in the classroom. It would then need to be destroyed. As soon as you have put it on paper, unless you have permission from whoever administers the print rights, it is illegal. I don't think anyone would come after you, but not making money or crediting the composers does not get you off the hook. I am not trying to preach or judge, just wanted to state some facts! Tim www.debreved.com

Try here. http://www.timusic.net/notation/guide-to-a-good-bow-job/#.UbDDg2TwKKw Currently editing a video that shows a lot of this up close. Tim