Luis Hernández

It is a very nice and well done work. I have one comment or suggestion: I think, given, the length of the piece, it seems to me that it would benefit from a contrasting part in terms of left hand rhythm or pattern. The same for the harmony. At some point it's nice to have a less expected chord, a broken cadence, or whatever.

The initial motif is very good. But what follows is a bit confusing.

I can only say that it is a fantastic work and I love it.

Indeed! In the traditional music of my country (Spain) and the whole Mediterranean area (North Africa, Balkans, etc...) microtonality is something normal. And there are artists who are able to transfer it to pop. This is the case of Diana Navarro, an incredible voice. In the first phrase you can already perceive the microtonality. But if you listen to her until the end ...... Amazing. If you don't want to listen to the whole track, skip to 2:55, for example.

a delicate and very beautiful piece maybe it would be nice to break the fixed rhythm of the left hand a little bit, but these are personal decisions

Sounds great. It seems a little strange to me when these systems are used on forms or structures that we have strongly associated with tonal writing.

A small piece that I recently reviewed. Maybe someone will like it.

A beautiful and kind music. The counterpoint is fluid... Is it what is called an aria with obligato flute?

I love this music. Thanks!

Also a very nice and interesting piece. However, although it has a clear part structure, it seems to me that it does not have as much directionality as others. I still think that the score is thought from a “theoretical” point of view in terms of its playability. I think that the same could be written simplifying those parts where the hands are crossing for a fast note, etc...

Very neat and beautiful orchestration. Sounds quite modern with various influences, I think. For example, the way of harmonizing with mini-arpeggios or tremolando is great, because it avoids excessive statism.

Hi Ivan Sounds very good, and I like that the instruments sound “when they have to sound” and not all the time....

It sounds very good, very fluid, you don't even notice at first listen where the change point is. I think the dubbing between the instruments is a good decision.

I love this music. I think the three pieces form a very coherent and interesting whole. At some specific points I don't know if it is technically possible to play what is written.

I think it's a well-written, idiomatic little piece for the piano, moving and effective. Perhaps it has little development or, rather, relies on a theme repeated quite a few times. But given the length of the piece, it does not become tiresome.