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Cristopher Bonn

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  • Gender
    Male
  • Interests
    Music, science, mathematics, computers, chess
  • Favorite Composers
    Beethoven, Tchaikovsky, Grieg, Bach, Mozart, Schumann
  • Notation Software/Sequencers
    Sibelius
  • Instruments Played
    Piano

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  1. So both work but the first option would be better, I presume? Could you tell me where else the bowing is not intuitive? I really want to make it work and have it recorded by a violinist someday :)
  2. Thank you very much to both of you! :) Luis Hernández: I'm happy you like it. Now that you mention it, you're right, but it's how I conceived it, haha. :) Monarcheon: You're right, bars 55 and 57 are unplayable; someone pointed it out to me yesterday. Regarding bowing, I must admit it's something I'm struggling with and find it a bit difficult to get right. As for the last line, what about this bowing? (attached image). Apologies if it looks stupid or naive; I'm just a beginner, but I'm eager to learn. Please take a look at my revised version (attached) if you have time. I've also changed the voicings in bars 29-32 to have one "grip" per bar, as suggested by someone (I wonder if it's because of a stylistic reason or because of playability?) and changed the final 6/4 chord for a single low resonant C, as I've been told it's more effective (which I agree with). Thanks to both of you again for your feedback :) It's really valuable to me.
  3. Hello :) I've composed a little piece for unaccompanied violin. Any feedback is appreciated, especially if it's from a violinist or someone with considerable experience in scoring for violin. Score and mp3 attached. Thank you!
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