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Tom Schuemer

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  1. Thanks for your feedback! I have a thing for mysterious atmospheres ;) It will definetely be getting longer, exploring and shaping the prominent melody you hear at the end some more.
  2. This is work in progress. I hope you enjoy it. Let me know what you think! I'm sorry I don't have sheets to read along. Thank you :)
  3. Thanks for you reviews guys! I agree it would be a nice soundtrack for a movie. (I love John Williams, after all it is his music that firstly triggered my interest in classical music as a child :D) I decided to let it as it is and move on to other projects where I use full orchestra and also trying to get a bit more daring. The Glockenspiel is actually a celesta vst which is freely available for download. Sounds very beautiful, I associate kindness, wonder and innocence with it. Write me a DM if you want to know where to download it.
  4. I agree it is beautiful. Nice, rich harmonies and a sense of longing. Try add more dynamics by playing around with the texture and volume. It is a bit blocky and dense at times. Simply changing particular note volumes or swells for example can have an astonishing effect;it helps with getting more transparency and enables you to build more distinctive movement of the notes or between the chords. Otherwise well done, I like it!
  5. No not really. Altough I know basic music theory like chord voicing, substitutions, cadences or scales I compose by ear, trying to catch whatever I hear in my head with trial and error most of the time. I am very bad with classic music notation and can't write scores but I am willing to learn and look deeper into it. This is what (all voices layered together) it looks like in my DAW but I doubt that helps...
  6. Lovely interplay of consonance and dissonance. The dissonant held chords create hints of otherworldliness, eternity and tension lurking around and shining in but are always nestled in a recognizable tonal structure. The quiter parts like the flute/woodwind part in the beginning create a nice etheral atmosphere. I really like it. I honestly think this piece would be a real beauty if the instruments would sound more realistic or being played by musicians. I disagree here, the repetive parts are giving orientation and there is enough variation and dissonance to keep it interesting for my taste.
  7. Hi I want to share a piece for strings I recently composed. It is a slow, adagio like piece. Besides the actual composing I also put alot of effort in the dynamics and expression of the instruments. Since I probably will never write music for a real orchestra I want the sound to be as authentic as possible. I am struggling with a few things, particulary with the volume and expression of the climax around 1:20 and some dissonances like at 0:49. I am quite happy with the coda. Any thoughts, ideas and criticism are welcome.
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