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CalibriStandard

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  1. Thank you! Hmm. I see what you mean my the mode.
  2. Revised and expanded one of my earlier pieces. The accompaniment sounds rather bland and repetitive. Any tips on that? Thank you
  3. Nice! I really like the chords used here. Transitioned really well into the legato/pedal section, which is something I always have trouble with
  4. Really like the contrary motion at the beginning Good work! The choral previously mentioned is a really good idea, and you could also do a part similar to the part you have now in a major key, (d flat major perhaps),because preludes often contain one musical idea that is developed.
  5. Thank you! Well, as for A flat minor, I just liked the sound of it. (It's impossible to sight read lol)
  6. Sort of a Rachmaninoff-ish piece. It's much longer than anything I've written so far, and I sort of feel that the repeated A section at the end gets somewhat boring. Would like some feedback on how to expand this even more. It's usually the transitions that make it hard for me to write longer pieces. Thank you!
  7. Sorry for the late reply. I haven't logged on here in a while. If you're still doing concerts, thank you! It's an honour to have one of my pieces performed.
  8. Renan Koen started following CalibriStandard
  9. Wrote a short piece based on some themes I got from improvising. I tried to fit them into a sort of ABA form, ith A coming back differently. Would be interested in your opinion on how you thought this worked out. Starts off like a Chopin nocturne, then the B part is sort of Tchaikovsky piano concerto, then A part returns but with concerto accompaniment.
  10. Wrote a short piece in B minor, this time the theme wasn't from improvising. I just wrote this completely on the computer. Hopefully I didn't subconsciously use something from an existing piece...
  11. Wrote a short prelude somewhat inspired by Scriabin, but the place I actually got the idea of writing this was by looking at old music scores where they did that weird inverted stem thing for large jumps, and I thought: "that looks interesting"
  12. Wrote a short waltz for violin and piano. I don't actually play violin, so there's probably something unplayable in there. I might extend this to a ABACA later on...
  13. Very original! Sounds great. First romance sort of reminded me of Chernyetsky's "Russian" Romance 🙂
  14. Incredible piece! Very original. I especially like to contrasting slurred and separated accompaniment and the little pauses. I always tend to make the first accompaniment note in a waltz very low, but this worked fine without that.

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