PeterthePapercomPoser

Hey @Alex Weidmann ! I love this orchestration - you've included lots of clever voice exchanges between the flute, oboe and clarinet that really create a kind of klangfarbenmelodie out of Mendelssohn's original piece. So great job there! I personally like your choices of pitched percussion in this piece - in my opinion the xylophone has too sharp of an attack and brings to mind Saint-Seans' usage in the Danse Macabre where it very effectively symbolizes the dancing of the skeletons and percussive effect of bones hitting the instrument instead of mallets. Vibraphone and glockenspiel are much more mellow and sparkly (respectively speaking) which I think is appropriate for this piece! Thanks for sharing!

Hey @MichaelJohn ! What a harmonically rich, bittersweet piece! It's full of longing and emotion and full of tons of creative harmonic choices. The harmonic identity also seems kind of ambiguous to me. The piece clearly starts in D minor and that's corroborated by the key signature, but you end in F major which is a nice hopeful ending! But I actually feel that most of the piece is in G Dorian. Very interesting - and you use plenty of F add4 chords which I really love the flavor of as a kind of backdoor cadence into G minor. Thanks for sharing this gem and I am grateful that you managed to create a good looking score as I really was able to appreciate the piece much more and deeply with the score. Thanks again!

Hey @MK_Piano ! This is a nice macabre movement. I find that you have a tendency (2:59) to imitate Beethoven's Moonlight Sonata accompaniment - I think you also did this in your Halloween piece. I also recognize the melody that's playing there - I could swear that it's a quote from another Beethoven work - possibly Symphony No.6? I don't know if that was intentional. My overall impression of the piece is that there's definitely identifiable main themes in it - some of them aren't original, and there's also lots of repetition by changing the instrumentation/orchestration of the occurrence of the themes. But I did enjoy listening to this grotesque and dark piece about death! Thanks for sharing!

In what? We haven't decided what competition we're going to hold yet! LoL

It's that time again! Time for another Young Composer's Musical Composition Competition and thanks to @TristanTheTristan who has instigated this poll! There are a few things we'd like the members to help us determine (and to help gauge the level of interest in another competition): 1) What should the competition be about? To write background music for one of @chopin 's Retry Bro's YouTube videos. Explanation: @chopin has a new YouTube channel! It's called Retry Bros. and consists of him playing Super Mario Maker levels and coming up with entertaining narration from Mario, Luigi, Princess Peach, Bowser, and other assorted characters. There's also a musical element. So far, Mike has come up with some clever lyrics and used AI to make realistic sounding songs that go along with the video. Now, where you would come in is that you'd be writing background music for one of @chopin 's new videos! To write some kind of autobiographical piece with a paragraph describing how the music portrays the autobiographical material. This one is @UncleRed99 's suggestion. The idea is to "write a piece that simply tells a story about your life, and something meaningful within it. Utilize complex elements to express emotion, tension, or any other desired emotional or mentally relatable expression. Provide a brief summary describing the root of the story being told." @Thatguy v2.0's proposal is for everyone to write a piece about their home landscape. This theme could be called "Landscapes - Soundscapes." @Henry Ng Tsz Kiu bestowed his theme proposal to me so I decided to include another theme in the options: "Sound Mimesis - Acoustic Anatomy". The idea is to use the instruments at your disposal to mimic sounds in your natural environment (although the sounds don't technically have to be created by nature - they could definitely be artificial sounds, but should be mimicked by acoustic instruments). My own idea is for the members to write M&M&M's - Mock-ups, Mash-ups and Medleys. The idea is for the members to take 2 or more preexisting themes from different genres of music and to make mash-ups and Medleys with them. 2) What kind of ensemble should the competitors be free to choose to write for? Solo piano/keyboard or solo polyphonic instrument (such as guitar or harp) One monophonic instrument accompanied by one polyphonic instrument Choice of mixed trio/quartet/quintet of individual instruments Chamber orchestra (string orchestra) Full orchestra 3) How many months should the competition span? (1 month, 2 months or 3 months) The duration of each piece should once again be between 3 - 7 minutes. Reviewing the entries will once again be spearheaded by the members/competitors at large. You are free to use the Official Competition Reviewing Template or you can review the entries in any way you see fit or create a template of your own making! There will be tiered "Ardent Reviewer" badges given out for this event: Featherweight Reviewer - for reviewing 33% of the entries submitted to the event Welterweight Reviewer - for reviewing 66% of the entries submitted to the event Heavyweight Reviewer - for reviewing 100% of the entries submitted to the event We are instituting a policy of not allowing any AI generated works in the competition. Because of this you will be required to detail how you created your piece and submit a PDF score or midi file for the perusal of the staff and members at large.

Ties between members for the day won are broken by seniority. So that means that Luis won the day because he's been a member the longest - Henry has been a member 2nd longest and you have been a member here for the shortest amount of time which is why you didn't win the day that day.

Hi @kaiyunmusic ! Great job with this piece! It's bittersweet-ness is exquisite! I especially love the creative use of hand crossing to give the piece some sparkle in the high range despite keeping the melody in the alto range. The half-cadence at the end is a perfect way to end the piece with a longing for more. Thanks for sharing!

Hi @Wieland Handke ! I concur that the listening experience is greatly enhanced by the color coding in the score to let the listener know what to listen for! Perhaps the most interesting part for me was when the subject gets shifted by a half-note within the measure. I do have to say that there were many discordant moments in the fugue where I felt harmonically ungrounded - but the ending was satisfactory so I guess all's well that ends well! Would you say that this is an example of a ricercar rather than a fugue though? I think ricercars are more known for slow note values. Thanks for sharing!

Hi @Luis Hernández ! Nice job on this orchestration! I did notice an apparent mistake in the horn parts in measure 6 - the top note should be (I think) a concert D (written A) since the harmony there is a G major chord. Overall though I think you really include a lot of fun interplay between the parts! I think it was very clever of you to fragment some of the phrases into question and answer contrapuntal roles. Like for example the interplay between the 1st and 2nd Violins in measures 28 - 29 is really a very creative orchestration decision! Thanks for sharing and I hope to hear more orchestrations!

Yes you are right. I am in the process of writing more variations and have already released a Scherzo on 8 of these themes (I had to keep adding themes LoL). Thanks for your interest/comment!

thank you! I just wanted to make sure that you and everyone knows that these are not my original compositions but covers/renditions/mock-ups of Nobuo Uematsu's original music for the game Final Fantasy VI - he's a Japanese composer.

I have just updated the track "Save Them!" to be more complete and correct - I had originally transcribed it slightly incorrectly and left some things out. I also corrected some dynamics so that the Violas can be heard. Thanks for listening!

I have just updated the post - up to 13 themes now!!!

Hi @Sonata_5! Do you have an audio rendition of your symphony we could listen to?

That's not true Luis! We can post renditions, mock-ups and covers of other composers works here too, as long as we specify whose work we're covering!