Georgios

My teacher and I analysed different examples of Deceptive Cadences and how they are used structurally. I thought that I already knew a lot about it, but apparenlty there is much more to it. I find that very useful, so if you do too have a look here. https://www.piano-composer-teacher-london.co.uk/post/deceptive-cadence We are using terms from Caplin's Analyzing Classical Form: an Approach for the Classroom. P.S. I hope this is the correct forum to post it.

Very nice themes and very skillfull and pleasant development. Clear style; Beethoven, as you said. Very impressive texture. Wide register, variation in the amount of voices and density and even language (homophonic, polyphonic). However, well-bound, not random and very structural and menaingful. As a matter of taste I really enjoy this style of compositions. I appreciate the eccentricity of the extreme elements, like the fff VII/V in the end. Cool stuff.