Vonias

No, no. .no, the metaphor of the Venus Flytrap eating the music staff is spot-on. Omicron, print out the illustration and perform the music. There's plenty to explore.

Omicron, You are making some phenomenal points! You're observations are very expert and perpetuate the excitement in music very well! From the many points that you had made, I had chosen two that make the symphony so exciting. Make the distinction that there is a difference between "modulation" and "changing key," now understand that the second movement is indeed serialism, and is also a fugue. 😜 My theorem states that anything on the array may also be modulated from the array: [0, 10] + 10 = [0, 9] The symphony was made in one measure. The timings are described in seconds, and its overall form is conveyed by its individual movements. Symbolism comes from a mathematical array, bits and parts of sounds from a traditional symphony are used to convey the sense; the form being hinted at is, "fast, slow, fast." Structure being blurred, however the artists have to keep the symphony easy to listen to. Writing a fugue with atonal concepts, thought to be possible, leaves one more caveat: the areay may be used to describe the form of the fugue. Back to your first point quoted above, the symphony's also described by its theme. Part of me reaches out and wants to tell you what is possible! When I mean the symbols, or sound effects, were notated, the same techniques used by, Beethoven, to describe birds. The constant sound from measure 6-9 was a drum I had created to complement the melody in the atonal fugue, "David's Heart." I worked fairly steady creating this song, and am willing to pour all the answers to you as I can. Vonias

Daniel, The symphony's usually defined by its form, and in this case it is a "same-shape" symphony. In the other case, a symphony is created from a small sample and a larger work's created; I've done this in my 2nd and 8th symphony having written 2 measures of music to create full-kength songs. The static nature of the movement's inspired by my theorem. I figured out a way how to modulate in serialism. I wanted to show off the qualities of modulation by juxtapositioning something static next to the movement that modulates. Though, it's not written for orchestra it is still possible. I try not to confuse my work with the medium, so in case the wirk can be heard in other paradigms: saxophone quartet being the best lead. "Despite harmony is present, the majority of the piece is filled by sound effects instead which don't pertain to harmony nor any extension of it that I be aware of." Music, is perfectly capable of demonstrating symbols. "Sound effects," can be a harsh term, but each note is notated and intended by the composer, structure is blurred to display my intelligence and keep the audience guessing, and actually each instrument is recorded at the same time using symphonic techniques; while scored as a chorale, reson, cutoff, and reverb are utilized to give one instrument a spectrum of qualities. Thanks and sorry for the late reply, Daniel

Where do I submit the material?

Sign me up!

Movement 1, The Advance A normal day, the advance from the army had funneled into the city, and many had preceded their breath. The courtly dances had wagered a great time, today, but the army had invaded our city; it was amazing how incredible watching the army interact and play with our citizens. We mingled, played, and danced in every way possible forgetting our worries, and instead made possible comfort in any way. Movement 2, My Heart Our city was attacked. My heart sustained when the allied forces arrived. The byilding had been destroyed just like my dear friend had mentioned. I'm relieved he's okay in our presence. He talked of rhe weapon being transported. I went so far as the night sky so I can play my piano. Movement 3, Night Sky The night sky was prime collecting for shooting stars. I collected many for my girlfriend back home. She and I, can only tolerate so many wishes before we're not pure of heart. It's something of a slip to take a wish, but I wish I knew how, sometimes. The cities halfway destroyed. Movement 4, Sun's Piano My piano survived the wreckage. I plucked out a melody of my favorite song, "Timber Fugue." One can almost smell the pine. The variations made for more, faltering at every stop; I wonder how my dear friend fares. .

"Clave," by Kawika Harper, Discretion devised: No Ladybugs were harmed in the production.

"Niente's Epilogue"

The music has no flaw. The presentation @gh0stwrit3r, needs less sweat in brow and more confidence. The felling does include the confidence in your work to allow your audience to create their own conclusions; allow for the presentation to include more information that there is nothing to hold your composition in anyway possible.

Thank you, Mr. British! Mr. Ives, is also quite pleased.

References: Dawson. "Darkseed," act I, opening chapter. Last accessed 2021. All persons including, ultimate, Nintendo. "SMB3," opening chaptò. Kagi se genki, 2021. Congratulations to the addition of, Mr. Dawson's new addition to the family, hauntingly beautiful, incredible, splendid, and strong.

Thanks, Luis. With the way electronic music's becoming more acceptable, I was quite proud to include my work along with, Mr. Garritan's. In a way, it's also east meets west in the opening movement describing a storm I were in, I imagine the favonial winds in the northern pacific. Though westwardly in direction, the blanket of winds, I'm invisioned traveling east towards, Washington's, petrified forest.

Anyway, how about a theme? Warp flute sound, the link. Warp world music makes the double fugue. World 4-2, the emotional inspiration. 7, 1-ups at the end. (☆☆☆) Big Bertha, in development section, 2. Frog Mario, the melodic leap, a 4th. Mushroom Shop music, an easteregg with, deceptive cadence. Sonido de flauta flauta Warp World Music hace la doble fuga. Mundo 4-2, la inspiración emocional. 7, 1-ups al final. (☆☆☆) Big Bertha, en la sección de desarrollo, 2. Frog Mario, el salto melódico, un 4º. Música de Mushroom Shop, un easteregg con cadencia engañosa.

"Bach's Throne," Stop the gif when, B7, is in the goal! ¡Pausa el gif cuando, B7, es en corrazon! "Bach's Throne," is a, Harper-Maxwell, game, copyrighted by, GM, 2021. Have fun! https://t.co/zJMFHJd9EX https://twitter.com/Dlharp2/status/1432110337499697152?s=20

Yes.